When astronauts are orbiting the Earth within the International Space Station they can entertain themselves with all sorts of digital media. We see their tweets of fantastic sunrises and sunsets. We watch, mesmerized, at their videos taken as they float about in zero gravity, uploaded to YouTube via their personal smartphones and other devices. We listen to their narratives and interviews in real time, streaming live through any number of digital media sources. Certainly, space exploration and space living has come a long way since the 1960s.
When astronauts launched on a moon trip in 1969, they had no such devices. Their only link was their communication radio that transmitted direct to mission control. There was no live transmission for the world to follow along with. The rest of us Earthlings had to wait for on-the-ground command to filter what we were allowed to hear and deny us what the powers that be considered classified. Recently, many classified documents, videos and audio recordings have been “de-classified” and NASA fans have been absorbed with sifting through these records searching for a fantastic story.
The gringa’s favorite so far has been the Moon music audio reported by the Apollo 10 mission in 1969. The Science Channel ran a feature on this in a special entitled “NASA’s Unexplained Files”. As the astronauts orbited around the “dark side of the moon” they claim to have heard what they specifically called “outer space-type” music. So what were these cryptic, mysterious sounds heard through the spacecraft’s radio? Was that the purpose for the follow up Apollo 11 mission that got boots on the ground on the Moon? Were they searching for a lunar brass and strings ensemble?
Crewmen Eugene Cernan, Thomas Stafford and John Young listened for almost an hour to this eerie space symphony and transcripts record their reactions:
- “The music even sounds outer-spacey, doesn’t it?”
- “You hear that? That whistling sound? Woooo?”
- “Sounds like… you know, outer-space type music.”
Then, after almost an hour, the sound suddenly stopped. Upon returning home, NASA chose to archive the transcripts and report of the “Moon music” as “classified”.
Now, the gringa wants to know exactly how and why a document or video or audiotape is determined to be “classified”. President Barack Obama made changes to the United States government classification system with Executive Order 13526. Every new administration creates a new Executive Order regarding classified documents because these documents are not governed by a constitutional government that governs and legislates on behalf of the people. Classified documents are governed by the Executive Branch. So, when a new President is seated, a new Executive Order governing classified documents must be administered.
To classify a document, video or audio recording, first, levels of sensitivity have to be considered. Sensitivity is rated according to how much damage to national security would occur if the information were made public. “Classified” has three levels: Confidential, Secret and Top Secret. Confidential is the least sensitive, Secret a step up, and Top Secret the highest level of secrecy (well, almost). To publish classified documents is a criminal act, espionage.
There are also sub-levels of sensitive information that are not classified: Sensitive But Unclassified, Sensitive Security Information, Critical Program Information, For Official Use Only, Public Safety Sensitive and Law Enforcement Sensitive. These documents are still restricted and not available to the general public for reasons such as privacy regulations, court orders, ongoing investigations, and national security.
Nuclear and atomic energy information has its own form of classification. Documents related to these industries are “Restricted Data” and “Formerly Restricted Data”. Whereas most classified information is automatically de-classified at its twenty-five year anniversary, not so with nuclear and atomic energy. These documents are under the complete authority of the Department of Energy to de-classify whenever they darn well feel like, if at all.
Even if a person has the highest level of security clearance, Top Secret, that does not mean they have access to every Top Secret document. Some Top Secret documents are further secured with a required code word. These are known as “Sensitive Compartmented Information”. A person must have Top Secret clearance and authorization to know the code word in order to access the document. An example of a Top Secret document with code word requirement is the report on the incident of the USS Liberty, a U.S. Navy research ship that was attacked in 1967 by an Israeli Air Force jet and Israeli Navy torpedo boats.
To classify a document, video or audio recording, the information must fit into one of the following categories:
- Military plans, weapon systems, or operations;
- Foreign government information, relations, or activities with U.S involvement;
- Intelligence activities, methods, sources, confidential sources & cryptology;
- Scientific, technological or economic information of national security and defense;
- Nuclear materials and facilities;
- Infrastructure vulnerabilities, capabilities, installations, projects, plans or security;
- Development, production and use of weapons of mass destruction (say what? Are they also classifying documents that might reveal U.S. development, production and use of WMDs? I mean, we had a President that started a bogus war over that stuff [because it ended up that they didn’t exist in the “enemy’s camp” after all]. So, the gringa’s just sayin’ if classified documents of WMD programs are not just a stack of papers about “terrorist” organizations and “rogue” nations, but includes docs about our own WMD program, um, I kind of have a problem with that).
So, the gringa wonders which of these criteria did the Moon music fall under? I suppose, because NASA is responsible for satellites related to the national defense, any space exploration document could be loosely classified for that reason. Or, perhaps they thought the Moon music was the communique of a “foreign government” so that criteria was applied. Perhaps it had to do with intelligence gathering activities and they thought the Moon music was an encrypted secret space alien code.
The gringa thinks Apollo 15 Pilot Al Worden perhaps explained it best. He said, “NASA would withhold information from the public if they thought it was in the public’s best interests.” The gringa believes NASA thought that the general public would go bananas thinking there were little green harpists, pianists, percussionists and trumpet blowers living on the Moon.
They must have felt it best to classify the documents so as not to reduce the world to mayhem as panic ensued at the thought of invasion by, not just intelligent extraterrestrials, but MUSICAL ones as well! HOLY COW! The HORROR of it all. And with the social upheaval of Elvis, the Beatles and many others subversively altering the youth of Earth into beatniks and hippies, it’s no wonder that the government thought it in the best interest of security to prevent a space alien music rage to invade and take the world by storm.
NASA’s official position is that, perhaps, it was atmospheric interference picked up by the space capsule’s radio. However, the Moon has no magnetic field to create any type of interfering frequency. Despite NASA’s “theory”, Worden chose to believe that the Moon music remained an unsolved mystery. He stated matter-of-factly that astronauts were well educated on what was “normal” space noise to be expected. The gringa is also certain astronauts know what music is when they hear it, no matter what its biological or terrestrial origins. In an interview Worden said, “Logic tells me that if there was something recorded on there, then there was something there.” Whoa, ho, ho! Methinks I hear the distinct possibility of an ET radio broadcast version of Casey Kasem’s Top 40 blasting from a lunar DJ being alluded to in that comment. How ’bout you, dear reader?
When the gringa listened for herself, I made note of the more interesting points of the eight minute audio recording amidst the chatter and background noises:
- 2:52 – “That music even sounds outer-spacey doesn’t it? Ya hear that? That whistling sound… Wooo!”… “It sounds like ya know, like, outer space type music.”
- 3:10 – Cernan asks Stafford (Tom) if his window insulation is all burned off. Stafford affirms that it is. Cernan informs Stafford that his window’s insulation is also burned off and that the sound is “eerie”.
- 4:45 – A fluctuation in the sound.
- 5:25 –.A sound like rapid shutter clicks of a camera (they were photographing the Moon).
- 5:34 – A momentary lapse in recording.
- 6:00 – Sound fluctuations.
- 7:45 – The crewmen comment back and forth: “Well, that sure is weird music… Nobody will believe us… It’s a whistling, like an outerspace type thing.”
- 8:00 – The tape ends
Now, the gringa has listened and all I hear is what sounds like a high-pitched siren, not music. However, the astronauts specifically used the word “music” three times. The word “eerie” was used to describe what they were hearing. A high-pitched siren sound is annoying, not eerie. A high-pitched siren sound does not sound like “music”. Three times the astronauts described the “music” as sounding “outer-spacey”. A high-pitched siren like sound does not sound “outer-spacey”. It sounds very terrestrial and pesky.
At first the gringa considered it was possibly caused by the acoustics within the capsule changing as a result of the insulation being burned off the windows. However, that theory is dashed when I remember that after almost an hour of being entertained, the space concert abruptly ended. If the burned off insulation had been the culprit, the sound would probably have lingered throughout the flight, at least throughout the orbit cycle. And if the lack of insulation resulted in such a noise, wouldn’t that indicate the possibility of a breach of the hull? A minute crack creating a windy whistle? There was no loss of cabin pressure and hull integrity was remained throughout the brutal re-entry burn. So, I don’t think it had anything to do with the burning off of the window insulation.
Also consider that NASA has only made available this eight minute clip yet it is reported that the astronauts listed to the “music” for almost an hour. The gringa would like to hear the remaining fifty-two minutes, please (eyeball roll, fingertips tapping the desktop).
From what I heard, there was not much to cause a big panic or scare among the population of Earth. I can’t see much there to justify all the trouble and drama of classifying the recording. So, the gringa suspects there is more to the story than what has been de-classified and released.
The gringa believes that there was definitely some sort of interference or feedback affecting the recording and that is the siren like noise heard. That siren like noise, however, is not what the gringa believes they are discussing. Just as it was very difficult to hear Astronaut John Young because he was distanced from Cernan’s microphone, I believe the interference was near the microphone and drowning out the “eerie, outer-space music” that was in the background, like Young’s voice. The astronauts were actually hearing that background noise, because they all heard it distinctly and discussed it.
If ufologists are fiercely dedicated to their pursuit of information about extraterrestrial life, the gringa recommends that they clean up the audio. Because I want to hear what the astronauts were actually hearing. And I think that darn siren noise is the “interference” NASA is talking about and most definitely NOT the music the astronauts are talking about. To hear it for yourself, click on the link below:
Source: www.nasa.gov & New York Daily News
Image source: Getty Images